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Andromache {Korn}

by Jean Racine

Other authors: See the other authors section.

Series: Old Vic Collection (1)

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(Applause Books). "Love? What does love mean in this fearsome drama? Not much that is affirmative. Not much to heat the heart of a sentimental spectator. It signifies a passion that amounts to illness, an alternately aching and frantic desire that cannot be slaked. The three characters who love strive to conquer love by straining their will power to its elastic limits. And what does loved mean here? Not the ecstasy of glowing with selflessness and basking in another's affection, but a tormenting burden that cannot be shaken off, can only be readjusted to serve as an instrument of convenience or harm." from the Afterword by Albert Bermel… (more)
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This continuation of the Trojan War story is told from so many points of view it can be hard to know who to sympathise with. Orestes and Achilles are typically entitled boys who feel that their love should be sufficient to win them the girl. Hermione is an enigma - either a femme fatale or an engenue. Andromache herself is simply a mother and a widow, trapped by the fall of her city. She has no status, yet she manages to secure her son’s future, partly by selling her own body (yet her decision never bears the inevitable fruit, for her tormentor is killed before any union takes place, leaving her with the benefits of a forced marriage without the attendant horror). ( )
  NKarman | Jan 31, 2018 |
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Author nameRoleType of authorWork?Status
Racine, JeanAuthorprimary authorall editionsconfirmed
Korn, EricTranslatorsecondary authorsome editionsconfirmed

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(Applause Books). "Love? What does love mean in this fearsome drama? Not much that is affirmative. Not much to heat the heart of a sentimental spectator. It signifies a passion that amounts to illness, an alternately aching and frantic desire that cannot be slaked. The three characters who love strive to conquer love by straining their will power to its elastic limits. And what does loved mean here? Not the ecstasy of glowing with selflessness and basking in another's affection, but a tormenting burden that cannot be shaken off, can only be readjusted to serve as an instrument of convenience or harm." from the Afterword by Albert Bermel

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