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This Blinding Absence of Light

by Tahar Ben Jelloun

Other authors: See the other authors section.

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5391845,342 (4.15)107
An immediate and critically acclaimed bestseller in France and winner of the 2004 International IMPAC Dublin Literary Award, This Blinding Absence of Light is the latest work by Tahar Ben Jelloun, the first North African winner of the Prix Goncourt and winner of the 1994 Prix Mahgreb. Ben Jelloun crafts a horrific real-life narrative into fiction to tell the appalling story of the desert concentration camps in which King Hassan II of Morocco held his political enemies under the most harrowing conditions. Not until September 1991, under international pressure, was Hassan's regime forced to open these desert hellholes. A handful of survivors--living cadavers who had shrunk by over a foot in height--emerged from the six-by-three-foot cells in which they had been held underground for decades. Working closely with one of the survivors, Ben Jelloun eschewed the traditional novel format and wrote a book in the simplest of language, reaching always for the most basic of words, the most correct descriptions. The result is a shocking novel that explores both the limitlessness of inhumanity and the impossible endurance of the human will.… (more)
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» See also 107 mentions

English (16)  German (1)  Dutch (1)  All languages (18)
Showing 1-5 of 16 (next | show all)
Although written as a novel, and listed in fiction, this account of life underground in a concentration camp in Morocco is based on interviews Ben Jelloun did with a survivor. This is a harrowing yet beautifully written book. In 1971, an attempted coup was planned against the king of Morocco. The coup failed, and the participants were sentenced to jail, which became for some, a small underground cell, where survival was not possible except for a very few, who lasted twenty years. In 1991 they were released due to international pressure.

The narrator takes us through the thought processes that enabled him to survive. How he erased the images of his family from his mind, how he prayed and was transported away, how he completely separated his body from his mind. He held no thoughts of revenge or hatred and really became a completely pure person, understanding only what is required to survive. And while this is disturbing, watching most of the prisoners die, ultimately it is uplifting, as this one man survives amidst the most horrible conditions. That a person is capable of being that strong and that religious, was quite beautiful. (read and reviewed in 2008) ( )
  raidergirl3 | Jan 22, 2023 |
A dark history told through the creative eyes of the author, in the guise of one of a group of prisoners who spent over 18 years in complete darkness in Morocco. There are moments of sheer beauty throughout this book, only occasionally marred by the dissolution of disbelief when, for example, a guard's face is described, wrenching the reader away from the impenetrable darkness of the author's world. A great book nonetheless. ( )
  ephemeral_future | Aug 20, 2020 |
"Most of those who died did not die of hunger but of hatred. Feeling hatred diminishes you. It eats at you from within and attacks the immune system. When you have hatred inside you, it always crushes you in the end."

This book is based on the testimony of Aziz Binebine, a young officer cadet, who in 1971 took part in the coup to overthrow King Hassan II of Morocco at his 42nd birthday celebration at his Skhirat palace. The plot failed, the king survived but almost 100 guests died. Despite claiming, like most of the coup participants, to have had no prior knowledge of the plot or having fired no shots Aziz Binebine was sentenced to 20 years in the hellhole prison at Tazmamart with 57 other men.

At Tazmamart the cells were 10ft long and 5ft wide, with ceilings so low the prisoners were unable to stand upright and worse of all were underground so in constant darkness. Each tomb had an air vent, a tiny hole in the floor that served as the lavatory and were crawling with scorpions the men could hear but not see. There was no medical attention, no exercise, and no light. The only time they were allowed out was to bury one of their fellow in-mates.

It took thirteen years before the outside world learnt that Tazmamart existed and another five years before it was shut down by which time there were only 28 survivors.

Despite it's grim background this can by no means be seen as outwardly political neither is it autobiographical although it is told in the first person. Rather it speaks of man's ability to adapt and will to survive. Rather coincidentally I re-watched the movie "Lucy" last night. In that film Morgan Freeman's character talks of human brains desire to propagate if conditions are favourable or to seek immortality if they are not.

To survive and to stay sane, each in-mate takes on a certain role. One becomes a talking clock, another recites passages from the Qur'an, whilst another invents a card game with imaginary cards. The narrator,Salim, becomes the groups storyteller, recounting stories from books that he's read or films that he's seen. He is not religious when he arrives in Tazmamart but to escape the torments of his body he must take on a certain religious mysticism, lose all memories of hate in his past,and seek out the hidden depths of his mind. Horrible deaths alternate with inspired collective efforts to stay alive.

Through Salim the reader realises that ideas can never be imprisoned, they are free to travel everywhere and anywhere, that the human spirit can adapt to almost any circumstances, that it is hatred not love that holds us back. Despite the grim background I found this an up-lifting tale, a shaft of light in a world of darkness, I really enjoyed the author's writing style and as such I would highly recommend it. ( )
  PilgrimJess | Mar 17, 2019 |
This book was a hard, hard , hard read. Based upon true events, it is the story of an inmate of the Tazmamart Prison. Aziz was a soldier who took part in a failed assassination attempt on King Hassan II of Morocco. Hassan ordered his political enemies to be held in an underground desert concentration camp where they were kept in 6 x 3' cells devoid of light or proper ventilation. Aziz and twenty-one other prisoners locked away without proper food or sanitary conditions. Many men went insane or died from uncontrolled illnesses and starvation. After nearly two decades in captivity, only four survived their experience. Because Ben Jelloun takes Aziz's experiences and fictionalizes it with a first person narrative the story becomes even more intimate and heartbreaking. ( )
  SeriousGrace | Dec 30, 2018 |
ألــم يطهر الروح وينيرها !! ( )
  fatma92 | Feb 27, 2014 |
Showing 1-5 of 16 (next | show all)
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» Add other authors (1 possible)

Author nameRoleType of authorWork?Status
Tahar Ben Jellounprimary authorall editionscalculated
Coverdale, LindaTranslatorsecondary authorsome editionsconfirmed
Kayser, ChristianeTranslatorsecondary authorsome editionsconfirmed
Melaouah, YasminaTranslatorsecondary authorsome editionsconfirmed
Noordman, MariaTranslatorsecondary authorsome editionsconfirmed
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Ik heb lang gezocht naar de zwarte steen die de ziel zuivert van de dood.
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An immediate and critically acclaimed bestseller in France and winner of the 2004 International IMPAC Dublin Literary Award, This Blinding Absence of Light is the latest work by Tahar Ben Jelloun, the first North African winner of the Prix Goncourt and winner of the 1994 Prix Mahgreb. Ben Jelloun crafts a horrific real-life narrative into fiction to tell the appalling story of the desert concentration camps in which King Hassan II of Morocco held his political enemies under the most harrowing conditions. Not until September 1991, under international pressure, was Hassan's regime forced to open these desert hellholes. A handful of survivors--living cadavers who had shrunk by over a foot in height--emerged from the six-by-three-foot cells in which they had been held underground for decades. Working closely with one of the survivors, Ben Jelloun eschewed the traditional novel format and wrote a book in the simplest of language, reaching always for the most basic of words, the most correct descriptions. The result is a shocking novel that explores both the limitlessness of inhumanity and the impossible endurance of the human will.

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