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Fima (1991)

by Amos Oz

Other authors: See the other authors section.

MembersReviewsPopularityAverage ratingMentions
414561,432 (3.75)26
"Astonishing . . . galvanic and intoxicating." --The New Yorker Fima lives in Jerusalem, but feels he ought to be somewhere else. In his life he has had secret love affairs, good ideas, and written a book of poems that aroused expectations. He has thought about the purpose of the universe and where the country lost its way. He has felt longings of all sorts, and the constant desire to pen a new chapter. And here he is now, in his early fifties in a shabby apartment on a gloomy wet morning, engaged in a humiliating struggle to release his shirt from the zipper of his fly. With wit and insight, Amos Oz portrays a man--and a generation--dreaming noble dreams but doing nothing. "One of Oz's most memorable fictional creations . . . Fima is a cross between Chekhov's Uncle Vanya and Joyce's Leopold Bloom." -- Washington Post… (more)
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» See also 26 mentions

English (4)  Dutch (1)  All languages (5)
Showing 4 of 4
9788432247026
  archivomorero | Jun 28, 2022 |
Fima seems to symbolize everything in life that is irritating - he is like a wasp, busily and pointlessly moving about one's plate on a summer day, seemingly uninterested in the food on it, but reluctant to fly away. Everyone around Fima seems to feel this and they generally want to get rid of his company, but they also give in to his constant chatter which seems to hypnotise them after a while. They even start worrying about him and his ways. The reading was rather slow, because I strongly disliked the Fima character, and because of the constant detailed reference to political goings on in Israel. The latter was difficult to follow at times. At the same time there was something about the writing I enjoyed, so I kept going. I do not know whether I am altogether happy with my decision.
Quote:
"The Cheerokees have a law that you mustn't throw anything away. Even a broken pot they kept in a wigwam. Anything you've ever used you mustn't get rid of. It might still need you." (usitupe cha zamani - Tanzania) ( )
  flydodofly | Apr 25, 2014 |
this was a slow read for me, but probably i should have read it even slower. it's a very deliberate book, even when it seems to be rambling. the main character is this man who spouts off about so many things, and talks and talks and talks, boring people but having flashes of brilliance. the book is much the same, except the flashes are more frequent if you're paying attention. it wasn't a fun read, although i did laugh at least a handful of times. it's just a really unusual, interesting book. i very much wonder about his other books, if they're anything like this at all, or if this is just a strange little gem that's kind of hard to get through. also, i think that probably the translation was a great one - as intentional as all the language is in this book, i think the translator had to find something allegorical or somehow equivalent in english, and i don't think that was an easy task. ( )
  overlycriticalelisa | Apr 2, 2013 |
Showing 4 of 4
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» Add other authors (3 possible)

Author nameRoleType of authorWork?Status
Amos Ozprimary authorall editionscalculated
Achlama, RuthÜbersetzersecondary authorsome editionsconfirmed
Rosenberg, ErvinTranslatorsecondary authorsome editionsconfirmed

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Five nights before the sad event, Fima had a dream which he recorded at half past five in the morning in his dream book, a brown notebook that always lay beneath an untidy heap of old newspapers and magazines on the floor at the foot of his bed.
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"Astonishing . . . galvanic and intoxicating." --The New Yorker Fima lives in Jerusalem, but feels he ought to be somewhere else. In his life he has had secret love affairs, good ideas, and written a book of poems that aroused expectations. He has thought about the purpose of the universe and where the country lost its way. He has felt longings of all sorts, and the constant desire to pen a new chapter. And here he is now, in his early fifties in a shabby apartment on a gloomy wet morning, engaged in a humiliating struggle to release his shirt from the zipper of his fly. With wit and insight, Amos Oz portrays a man--and a generation--dreaming noble dreams but doing nothing. "One of Oz's most memorable fictional creations . . . Fima is a cross between Chekhov's Uncle Vanya and Joyce's Leopold Bloom." -- Washington Post

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Book description
In Oz's new novel (after To Know a Woman , LJ 2/1/91), brilliant, pathetic, naive, dyspeptic Efraim (Fima) Nisan wanders through his Jerusalem life like an irritating shopper in a department store. Fima published a highly regarded book of poems in his salad days but has since lapsed into a dreary existence of intellectual and political quarreling; his brilliance gets on everyone's nerves almost as much as his inability to manage his life properly. He now works as a receptionist at a gynecological clinic and has puzzling affairs with women whose husbands have lost interest in them. Throughout the book, Fima makes plans to see a Jean Gabin film, but when he finally gets to the theater, it has come and gone. Oz uses his protagonist's arguments and fantasies of becoming prime minister to convey the confused and confusing mixture of political and personal life in his homeland. A fine work by one of Israel's best writers.
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