Click on a thumbnail to go to Google Books.
Loading... A Book of Memories (1986)by Péter Nádas
Favourite Books (1,144) Loading...
Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book.
Had I not been reviewing it, there is no stage at which I would not have stopped reading A Book of Memories. I ached not to read it. I would have stopped happily after one page, after five pages, after a hundred and five, after seven hundred and five. My marginalia grew more and more virulently obscene, before finally drying up altogether as I lapsed into apathy. For four weeks I put myself through it; I’ve never felt such a sense of waste when finishing a book. And then, for another four weeks, I was unable to contemplate the idea of writing about it. It’s hard to say what makes it so prodigiously unsatisfactory: length, long-windedness, evasiveness, over-structuring, mediocre expression, absence of humour, absence of voice, smugness and preachiness, the persistent withholding of such ordinary amenities as names and ages and settings and incidents, a dully and vauntingly cerebral book about bodies (how disgusted D.H. Lawrence would have been with it!), racking up more and more about less and less, semi-colons adrift in bloated and fussy prose. It is a book about sexual disloyalty or sexual distraction, written without heart and, barring two short scenes that are like a dentist’s dream of pornography (‘can swab and scrub the tight yet slippery cave of the vagina’), without sex, as portentousness and delay and sheer dropsy get in ahead of lubriciousness. ContainsHas as a supplementAwardsDistinctionsNotable Lists
This extraordinary magnum opus seems at first to be a confessional autobiographical novel in the grand manner, claiming and extending the legacy of Proust and Mann. But it is more: Peter Nadas has given us a superb contemporary psychological novel that comes to terms with the ghosts, corpses, and repressed nightmares of Europe's recent past.
A Book of Memories is made up of three first-person narratives: the first that of a young Hungarian writer and his fated love for a German poet; we also learn of the narrator's adolescence in Budapest, when he experiences the downfall of his once-upper-class but now pro-Communist family and of his beloved but repudiated father, a state prosecutor who commits suicide after the 1956 uprising. A second memoir, alternating with the first, is a novel the narrator is composing about a refined Belle Epoque aesthete, whose anti-bourgeois transgressions seem like emotionally overcharged versions of the narrator's own experiences. A third voice is that of a childhood friend who, after the narrator's return to his homeland, offers an apparently more objective account of their friendship. Together these brilliantly colored lives are integrated in a powerful work of tragic intensity. No library descriptions found. |
Current DiscussionsNonePopular covers
Google Books — Loading... GenresMelvil Decimal System (DDC)894.511334Literature Literature of other languages Altaic, Finno-Ugric, Uralic and Dravidian languages Fenno-Ugric languages Ugric languages Hungarian Hungarian fiction 1900–2000 Late 20th century 1945–2000LC ClassificationRatingAverage:
Is this you?Become a LibraryThing Author. |
Credo non sia da imputare solo a Nadas, alle sue continue, puntigliose digressioni, ai rimandi messi alla rinfusa per dare quel minimo di coesione (appigli indispensabili in un mare di 760 pagine). Sicuramente non era il momento giusto per me, l'alchimia non si è creata e forse avevo aspettative troppo alte (gli anobiiani sanno come vanno queste cose).
Paragonare Nadas a Joyce, a Proust o a Musil si può fare, per carità. Ma a me, dopo aver portato a termine la lettura di questo Libro di memorie, sembra comunque eccessivo. Non basta mica imbastire paragrafi superiori alle 15 righe e infarcirli di elucubrazioni in bello stile! ( )