Early ReviewersBarbara J. Taylor

Set in 1955, this final installment in Taylor’s best-selling Scranton Trilogy explores a family’s legacy of loss and a sometimes mystical vision of a better tomorrow.

Fifty-year-old Violet has had a good life. The love of an honest man. The joys of motherhood. Yet, even in 1955, her heart still aches over the death of her sister more than four decades earlier. Lately, Violet can’t help thinking about the little girl, picturing her in the moments before the accident, wearing that pleated white dress and a hair bow to match. Maybe if her big sister were here now, she could tell Violet what to do about the secret she’s been keeping from her daughter Daisy.

Daisy has a secret of her own. When she first moved back home to Scranton, she wasn’t ready to give up her dreams of performing in Atlantic City. Then she met Johnny, a man who needs music as much as she does. Her first real chance at love. If only they can find the courage to buck small-town thinking when it comes to interracial dating.

Small-town thinking. Zethray had seen her fair share of it. That’s why she advertised a room to rent in The Negro Motorist Green Book. Give folks a safe place to stay away from home. That’s how Johnny ended up at her door. Now he’s sweet on some young woman. Not that he told Zethray, but she knows. The dead like to talk, and she listens. If only her mother would tell the secret behind her shocking death. Instead, she stands silent, while that little girl with the bow in her hair runs wild.

Rain Breaks No Bones, is the final novel in the Scranton Trilogy, starting with Sing in the Morning, Cry at Night, followed by All Waiting Is Long. Though the novels are connected, they each stand alone.

All Waiting Is Long tells the stories of the Morgan sisters, a study in contrasts. In 1930, twenty-five-year-old Violet travels with her sixteen-year-old sister Lily from Scranton, PA, to the Good Shepherd Infant Asylum in Philadelphia, so Lily can deliver her illegitimate child in secret. In doing so, Violet jeopardizes her engagement to her longtime sweetheart, Stanley Adamski. Meanwhile, Mother Mary Joseph, who runs the Good Shepherd, has no idea the asylum's physician, Dr. Peters, is involved in eugenics and experimenting on the girls with various sterilization techniques. Five years later, Lily and Violet are back home in Scranton, one married, one about to be, both finding their way in a place where a woman's worth is tied to her virtue. Against the backdrop of the sweeping eugenics movement, rampant prostitution, and rogue coal mine strikes, the Morgan sisters must choose between duty and desire. Either way, they risk losing their marriages and each other. The novel picks up sixteen years after the close of Barbara J. Taylor's debut novel, Sing in the Morning, Cry at Night--a Publishers Weekly Best Summer Book of 2014--and continues her Dickensian exploration of the Morgan sisters and other characters of Scranton, PA in the early 20th Century.

The latest novel in Akashic’s Kaylie Jones Books imprint. Almost everyone in town blames eight-year-old Violet Morgan for the death of her nine-year-old sister, Daisy. Sing in the Morning, Cry at Night opens on September 4, 1913, two months after the Fourth of July tragedy. Owen, the girls’ father, “turns to drink” and abandons his family. Their mother Grace falls victim to the seductive powers of Grief, an imagined figure who has seduced her off-and-on since childhood. Violet forms an unlikely friendship with Stanley Adamski, a motherless outcast who works in the mines as a breaker boy. During an unexpected blizzard, Grace goes into premature labor at home and is forced to rely on Violet, while Owen is “off being saved” at a Billy Sunday Revival. Inspired by a haunting family story, Sing in the Morning, Cry at Night blends real life incidents with fiction to show how grace can be found in the midst of tragedy.