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Edith Sitwell (1887–1964)

Author of English Eccentrics

89+ Works 1,993 Members 17 Reviews 3 Favorited

About the Author

The first child of Sir George Sitwell and Lady Ida Sitwell, Edith Sitwell became famous both as poet and bohemian. Reacting against what she called the "dim bucolics" of the Georgians, she and her brothers Osbert and Sacheverell constituted a kind of aristocratic bohemian vanguard after World War show more I. Sergei Diaghilev's (see Vol. 3) Russian Ballet joined T. S. Eliot and, improbably, Alexander Pope among the early influences on her work. A skilled publicist as well as poet, Sitwell exploited her upper-class nonconformity in numerous public controversies. Her collaboration with William Walton to produce musical settings of the Facade poems (1923) created an uproar when the work was performed. Sitwell also put her talents to work for young writers in whom she believed, chief among them Dylan Thomas, whose reputation she helped launch. Despite later public honors---Elizabeth II created her a Dame Grand Cross of the British Empire, and Oxford and Cambridge bestowed honorary degrees---she remained proudly eccentric throughout her celebrated career. Sitwell's early poetry displayed a pyrotechnic surface of dazzling images and leaps. She saw Eliot's Prufrock and Other Observations (1917) as heralding "a new era in poetry," which would lead to poets seeing the world with new eyes. Breakthroughs in perception often became the themes as well as goals of her poetry. Interested particularly in French symbolist theories of sound, she developed an intricate tonal play of verbal patterns in her verse. Her work displayed an increasingly religious orientation, and during World War II, she engaged such public themes as politics more overtly in works like Three Poems for an Atomic Age. Besides her own verse, she wrote several books of prose and edited numerous anthologies of poetry. (Bowker Author Biography) show less
Image credit: Edith Sitwell, 1918, by Roger Fry

Series

Works by Edith Sitwell

English Eccentrics (1933) — Author — 568 copies
The Queens and the Hive (1962) 140 copies
Collected Poems (1957) 127 copies
The Seven Deadly Sins (1961) — Contributor — 90 copies
Alexander Pope (1930) 61 copies
Fanfare for Elizabeth (1946) 59 copies
Victoria of England (1936) 50 copies
Bath (1932) 43 copies
Selected Letters of Edith Sitwell (1997) — Author — 37 copies
English women (1932) 33 copies
A poet's notebook (1943) 32 copies
Selected letters, 1919-1964 (1970) 28 copies
The song of the cold (1946) 27 copies
Selected Poems (1952) 26 copies
Green Song and Other Poems (1944) 22 copies
A Book of the Winter (1950) 21 copies
Street Songs (1942) 18 copies
Poems Old & New (1940) 15 copies
Bucolic Comedies (1927) 14 copies
Planet and Glow-worm (1944) 14 copies
Gardeners and Astronomers (1953) 13 copies
Selected Poems (1965) 13 copies
The Pleasures of Poetry (1930) 12 copies
Gold Coast Customs (1929) 11 copies
Music and ceremonies (1963) 10 copies
Rustic elegies (1927) 9 copies
Popular song (1928) 9 copies
Edith Sitwell (1960) 7 copies
A book of flowers (2012) 7 copies
The shadow of Cain (1947) 7 copies
The outcasts (1962) 7 copies
Jane Barston, 1719-1746 (1931) 7 copies
Troy Park 6 copies
Aspects of modern poetry (1977) 6 copies
Poor young people (1925) 5 copies
Poetry & Criticism (1977) 5 copies
Clowns' houses (2015) 4 copies
The wooden Pegasus (1920) 4 copies
TRIO. (1970) 3 copies
Elegy on dead fashion (1926) 3 copies
Wheels, 1918 (1918) 3 copies
Look! The sun 3 copies
Epithalamium 3 copies
In spring 2 copies
Five poems 2 copies
Follies & Facades (2008) 1 copy
Edith Sitwell's Anthology — Composer — 1 copy
Contact collection of contemporary writers — Contributor — 1 copy
(Poems) 1 copy
Outcast (1962) 1 copy

Associated Works

A Pocket Book of Modern Verse (1954) — Contributor, some editions — 446 copies
The Penguin Book of Women Poets (1978) — Contributor — 299 copies
The Faber Book of Modern Verse (1936) — Contributor, some editions — 289 copies
A World of Great Stories (1947) 263 copies
The Everyman Anthology of Poetry for Children (1994) — Contributor — 72 copies
Poetry of Witness: The Tradition in English, 1500-2001 (2014) — Contributor — 42 copies
Modern Women Poets (2005) — Contributor — 13 copies
The Penguin New Writing No. 27 (1946) — Contributor — 11 copies
Union Street (1957) — Preface — 7 copies
Swinburne, a selection (1960) — Editor — 7 copies
The Penguin New Writing No. 23 (1942) — Contributor — 6 copies
Number Two Joy Street (1924) — Contributor — 6 copies
Number One Joy Street (1923) — Contributor — 2 copies

Tagged

Common Knowledge

Canonical name
Sitwell, Edith
Legal name
Sitwell, Dame Edith Louisa
Other names
シトウェル, イーディス
Birthdate
1887-09-07
Date of death
1964-12-09
Burial location
St. Mary's Churchyard, Weedon Lois, Northamptonshire, England, UK
Gender
female
Nationality
UK
Birthplace
Scarborough, North Yorkshire, England, UK
Place of death
London, England, UK
Places of residence
Scarborough, Yorkshire, England, UK
London, England, UK
Renishaw Hall, Derbyshire, England, UK
Education
privately educated
Occupations
poet
editor
biographer
literary critic
novelist
Relationships
Sitwell, Sir George (father)
Sitwell, Sir Osbert (brother)
Sitwell, Sir Sacheverell (brother)
Stein, Gertrude (friend)
Organizations
American Academy of Arts and Letters (Foreign Honorary, Literature, 1949)
Awards and honors
Royal Society of Literature Companion of Literature (1963)
Dame Commander, Order of the British Empire (1954)
Benson Medal
Short biography
Edith Sitwell, the author of The English Eccentrics (1933), was herself the daughter of an eccentric, Sir George Sitwell, and his wife Lady Ida Emily Augusta Denison. In her autobiography, Edith said that her parents had always been strangers to her. She had two younger brothers, Osbert and Sacheverell Sitwell, both of whom grew up to be well-known literary figures and long-term collaborators. In 1912, at age 25, Edith moved to London, where she lived in a small, shabby flat in Bayswater with Helen Rootham, her former governess. Edith published her first poem, The Drowned Suns, in the Daily Mirror in 1913. Between 1916 and 1921 she edited Wheels, an annual poetic anthology compiled with her brothers. She also wrote nonfiction, including a biography, Victoria of England (1936). After Rootham become an invalid, the two went to live with her younger sister in Paris; Rootham died in 1938. Edith's only novel, I Live under a Black Sun (1937), was based on the life of Jonathan Swift. During World War II, Edith Sitwell returned from France and retired to the family's country house, Renishaw Hall in Derbyshire, with her brother Osbert and his lover, David Horner. She wrote by the light of oil lamps when the electricity went out and knitted clothes for their friends serving in the armed forces. The poems she wrote during the war, which included Street Songs (1942), The Song of the Cold (1945) and The Shadow of Cain (1947), were greatly praised. Still Falls the Rain, about the London blitz, remains perhaps her best-known poem. It was set to music by Benjamin Britten. In 1948 Sitwell toured the USA with her brothers, reciting her poetry and giving a reading of Lady Macbeth's sleepwalking scene. She made recordings of her poems, including two recordings of Façade (1922). She never married. Edith Sitwell was named a Dame Commander (DBE) in 1954. The following year, she converted to the Roman Catholic faith. She produced two successful books about Queen Elizabeth I of England, Fanfare for Elizabeth (1946) and The Queens and the Hive (1962).

Members

Reviews

Fun to read aloud, but don't hope for any clarity of meaning while doing so. If you can just enjoy the sound play and not mind the obscurity, you'll get the best there is to be gotten out of these poems. It's obvious Sitwell could have done more than play with sounds and build up vague impressions of meaning, which makes me willing to try other collections of her work to see if she ever moved beyond this sort of thing while retaining her virtuosity.
 
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judeprufrock | Jul 4, 2023 |
Favourites: "Three Poor Witches" and "The Youth with the Red-Gold Hair".
 
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PollyMoore3 | Aug 19, 2020 |
Going through my Bloomsbury period. A true eccentric writing about eccentrics as only the British have them.
 
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Karen74Leigh | 7 other reviews | Sep 4, 2019 |
'O bitter love, O death' is full of sadness. Sad to say there are many who are 'drier than a crone'. Librarians have once more damaged my copy with their cardboard pockets, the ticket in the pocket, torn off what looks like a Magistrat Bad Oeynhausen railway luggage label, their issue label and other stamps which nevertheless give some indication of the 'Rezeption' of the poems. The book formed part of collection of the Army Study Centre Library, Bach Strasse, Bad Oeynhausen and was issued 6 times between April 1947 and November 1948. The ink stamping of The Sunday Times National Book Fund for H.M.Forces on the endpapers suggests that this was the source of funding to buy it for the library. What did the lenders think of the poems or was it just one who renewed it 5 times? originally a pa, Bad Oeynhausen became a focal point the British Zone of occupation just after World War II - wikipedia for an interesting article: https://en.wikipedia.org/wiki/Bad_Oeynhausen… (more)
 
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jon1lambert | Dec 17, 2018 |

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Statistics

Works
89
Also by
15
Members
1,993
Popularity
#12,911
Rating
4.0
Reviews
17
ISBNs
120
Languages
9
Favorited
3

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