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Claude McKay (1890–1948)

Author of Home to Harlem

28+ Works 1,197 Members 5 Reviews 2 Favorited

About the Author

Image credit: Photo by Carl Van Vechten. (Library of Congress Prints and Photographs Division LC-USZ62-105919)

Works by Claude McKay

Associated Works

The Making of a Poem: A Norton Anthology of Poetic Forms (2000) — Contributor — 1,270 copies
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 929 copies
The New Negro: Voices of the Harlem Renaissance (1925) — Contributor — 441 copies
The Portable Harlem Renaissance Reader (1994) — Contributor — 409 copies
The Rag and Bone Shop of the Heart: A Poetry Anthology (1992) — Contributor — 393 copies
The Black Poets (1983) — Contributor — 360 copies
Writing New York: A Literary Anthology (1998) — Contributor — 281 copies
African-American Poetry: An Anthology, 1773-1927 (1997) — Contributor — 251 copies
African American Poetry: 250 Years of Struggle and Song (2020) — Contributor — 176 copies
American Religious Poems: An Anthology (2006) — Contributor — 164 copies
Let Nobody Turn Us Around: An African American Anthology (1999) — Contributor — 150 copies
The Vintage Book of African American Poetry (2000) — Contributor — 149 copies
Black on White: Black Writers on What It Means to Be White (1998) — Contributor — 119 copies
Harlem Renaissance: Five Novels of the 1920s (2011) — Contributor — 110 copies
Voices from the Harlem Renaissance (1976) — Contributor — 107 copies
Brotherman: The Odyssey of Black Men in America (1995) — Contributor — 91 copies
Rotten English: A Literary Anthology (2007) — Contributor — 76 copies
American Sonnets: An Anthology (2007) — Contributor — 66 copies
The Hungry Ear: Poems of Food and Drink (2012) — Contributor — 63 copies
American Negro Short Stories (1966) — Contributor — 61 copies
Trouble the Water: 250 Years of African American Poetry (1997) — Contributor — 56 copies
Into the London Fog: Eerie Tales from the Weird City (2020) — Contributor — 53 copies
Poetry of Witness: The Tradition in English, 1500-2001 (2014) — Contributor — 42 copies
Classic Fiction of the Harlem Renaissance (1994) — Contributor — 40 copies
Soulscript: Afro-American Poetry (1970) — Contributor — 40 copies
I Hear a Symphony: African Americans Celebrate Love (1994) — Contributor — 33 copies
Graphic Classics: African-American Classics (2011) — Contributor — 31 copies
Harlem U.S.A. (1964) — Contributor — 30 copies
Queer Nature: A Poetry Anthology (2022) — Contributor — 17 copies
Fairy Poems (2023) — Contributor — 16 copies
Out of Bounds: British, Black, and Asian Poets (2012) — Contributor — 13 copies
Harlem: Voices from the Soul of Black America (1970) — Contributor — 10 copies
Bright Poems for Dark Days: An Anthology for Hope (2021) — Contributor — 10 copies

Tagged

Common Knowledge

Legal name
McKay, Festus Claudius
Other names
Edwards, Eli
Birthdate
1890-09-15
Date of death
1948-05-22
Burial location
Calvary Cemetery, Woodside, New York, USA
Gender
male
Nationality
USA
Birthplace
Sunny Ville, Clarendon Parish, Jamaica, British West Indies
Place of death
Chicago, Illinois, USA
Places of residence
Jamaica, British West Indies
Chicago, Illinois, USA
New York, New York, USA
USSR
France
Spain (show all 8)
Morocco
London, England, UK
Education
Tuskegee Institute
Kansas State University
Occupations
poet
novelist
short-story writer
editor
Relationships
Bontemps, Arna (friend)
Organizations
The Liberator (editor)
International Socialist Club
Rationalist Press Association
Workers' Socialist Federation
Workers' Dreadnought
Awards and honors
James Weldon Johnson Literary Guild Award (1937)
Order of Jamaica (1977)
Short biography
Claude McKay (1889–1948), born Festus Claudius McKay, is widely regarded as one of the most important literary and political writers of the interwar period and the Harlem Renaissance. Born in Jamaica, he moved to the U.S. in 1912 to study at the Tuskegee Institute. In 1928, he published his most famous novel, Home to Harlem, which won the Harmon Gold Award for Literature. He also published two other novels, Banjo and Banana Bottom, as well as a collection of short stories, Gingertown, two autobiographical books, A Long Way from Home and My Green Hills of Jamaica, and a work of nonfiction, Harlem: Negro Metropolis. His Selected Poems was published posthumously, and in 1977 he was named the national poet of Jamaica.

Members

Reviews

“Theah’s life anywheres theah’s booze and jazz…”

Zeddy’s sage wisdom that he shares with Jake! They run around Harlem, chasing women and going to speakeasies and cabarets - drinking, gambling, and listening to jazz. Trying to find a woman to take care of them, both financial and physically. The story winds throughout Harlem, and a little aside on a train that Jake works on for a bit. It's a good story, and reminded me a lot of the "Beat" writing that came after. Glad I read it!… (more)
 
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Stahl-Ricco | Sep 22, 2021 |
I didn't really enjoy reading this book. But I loved it anyway. It felt more like a primary resource discovered in a dusty part of the smithsonian archive than it felt like a living novel. I can see why it stayed unpublished for many years. It's intellectually and ideologically complex, and it doesn't fit into any of the easy categories that were available to African American writers at the time (if they wanted to be published that is). I'm thinking for instance of Richard Wright's simplistic and polemical acceptance of communist thought in the last half of [b:Native Son|15622|Native Son|Richard Wright|https://images.gr-assets.com/books/1440820866s/15622.jpg|3159084]. This book in contrast is self-critical and questioning and not at all simple. It mocks the attractions of communism as a possible way toward racial equality, but it is equally skeptical of other -isms. Because it is so much more a 'head' story than a 'heart' story it reminds me far more of Lionel Trilling's novel [b:The Middle of the Journey|544060|The Middle of the Journey|Lionel Trilling|https://images.gr-assets.com/books/1320440371s/544060.jpg|391679] than of other Harlem Renaissance fiction--it's a novel of ideas, so much so that I could almost feel McKay debating between alternatives in his head as he wrote. Fascinating but not for the usual reasons.… (more)
 
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poingu | Feb 22, 2020 |
In Harlem Shadows (published 1922), McKay captures his shock and disappointment at the discrimination he found in the United States. Racial identity is a key theme throughout the volume, and I found these themes hidden in many poems. He also wrote poems that encouraged people to be themselves, and his personal voice gives these poems an urgency. He also poignantly captures his homesickness for his tropical home. And although he wrote Harlem Shadows almost a century ago, his search for identity and place in a busy foreign world is one that we can still relate to.

I am a white woman and a stay-at-home mom living close to where I was born, and yet McKay’s racial frustrations and calls for individuals to remain strong, as well as his longings for the familiar, resonate with me. McKay’s beautiful poetry is well worth reading and revisiting.

More on my blog
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1 vote
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rebeccareid | Apr 21, 2011 |
This novel took me to another place, era and culture. The novel started off pretty slow, but I gave it a chance and I'm glad I did because it became engaging. I'm glad I discovered McKay. I'll be looking out for some of his other work.
½
 
Flagged
petersonvl | Mar 22, 2009 |

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Statistics

Works
28
Also by
50
Members
1,197
Popularity
#21,452
Rating
4.0
Reviews
5
ISBNs
81
Languages
1
Favorited
2

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