Karen Elizabeth Gordon
Author of The Deluxe Transitive Vampire: A Handbook of Grammar for the Innocent, the Eager and the Doomed
About the Author
Works by Karen Elizabeth Gordon
The Deluxe Transitive Vampire: A Handbook of Grammar for the Innocent, the Eager and the Doomed (1993) — Author — 1,123 copies
The New Well-Tempered Sentence: A Punctuation Handbook for the Innocent, the Eager, and the Doomed (1993) — Author — 766 copies
The Well-Tempered Sentence: A Punctuation Handbook for the Innocent, the Eager, and the Doomed (1983) — Author — 443 copies
Torn Wings and Faux Pas: A Flashbook of Style, a Beastly Guide Through the Writer's Labyrinth (1997) 165 copies
Tagged
Common Knowledge
- Birthdate
- 1947-03-17
- Gender
- female
- Nationality
- USA
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Statistics
- Works
- 14
- Members
- 4,214
- Popularity
- #5,964
- Rating
- 3.9
- Reviews
- 53
- ISBNs
- 27
- Languages
- 1
- Favorited
- 4
I write this as I look at her entry in this book for the words affect and effect; I submit that if you didn't already have a relatively firm grasp of the problems in usage related to these two words, this book would be of no help to you. Ms. Gordon's exemplar for the use of these words reads: "Startling Glower once dragged onto the show 'Up Your Eponym' a collection of pop psychologists (mincing to their places and sporting moles and affectations, all powdered and dressed up in Restoration frippery to pander to Glower's sartorial and aesthetic proclivities) who discussed 'the affect of an abused sibling, crying into her mother's soup' or 'a Lothario who was utterly destitute of affect, but handsomely rich in beaux gestes and looks.'" N.B. that she neglects, in this precious prose, to offer an example of affect in its use as a verb.
If a person looking for a clear exposition of these words, who lacked any understanding of their use and their places in the taxonomy of the parts of speech, came to these pages, I am hard pressed to see how this entry (page 4, incidentally) would elucidate the use of these words. And this problem repeats throughout this book, making it almost useless for those toward whom I would think such a book would be aimed.
In other words, this is basically a useless tome that is arguably a reflection of its author's vanity.… (more)