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Chinua Achebe (1930–2013)

Author of Things Fall Apart

52+ Works 28,772 Members 581 Reviews 44 Favorited
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About the Author

Albert Chinualumogu Achebe was born on November 16, 1930 in Ogidi, Nigeria. He studied English, history and theology at University College in Ibadan from 1948 to 1953. After receiving a second-class degree, he taught for a while before joining the Nigeria Broadcasting Service in 1954. He was show more working as a broadcaster when he wrote his first two novels, and then quit working to devote himself to writing full time. Unfortunately his literary career was cut short by the Nigerian Civil War. During this time he supported the ill-fated Biafrian cause and served abroad as a diplomat. He and his family narrowly escaped assassination. After the civil war, he abandoned fiction for a period in favor of essays, short stories, and poetry. His works include Things Fall Apart, Arrow of God, No Longer at Ease, A Man of the People, Anthills of the Savannah, and There Was a Country. He also wrote four children's books including Chike and the River and How the Leopard Got His Claws. In 2007, he won the Man Booker International Prize for his "overall contribution to fiction on the world stage." He also worked as a professor of literature in Nigeria and the United States. He died following a brief illness on March 21, 2013 at the age of 82. (Bowker Author Biography) show less
Image credit: Photograph by Stuart C. Shapiro; used by permission

Series

Works by Chinua Achebe

Things Fall Apart (1958) 20,829 copies
No Longer at Ease (1960) 1,521 copies
Arrow of God (1964) 1,286 copies
Anthills of the Savannah (1987) 1,122 copies
A Man of the People (1966) 863 copies
Girls at War (1972) 280 copies
Home and Exile (2001) 217 copies
African Short Stories (1985) — Editor; Contributor — 146 copies
Chike and the River (1966) 144 copies
Africas Tarnished Name (2018) 130 copies
Collected Poems (1969) 97 copies
The Trouble with Nigeria (1984) 64 copies
Beware Soul Brother (1971) 52 copies
OCR GCSE Story Collection (2002) 21 copies
The Drum (1977) 13 copies
Dead Men's Path 4 copies
Už nikdy klid 2 copies
The world of the Ogbanje (1986) 2 copies
Civil Peace 2 copies

Associated Works

The Story and Its Writer: An Introduction to Short Fiction (1983) — Contributor — 1,136 copies
Africa: Altered States, Ordinary Miracles (2008) — Foreword — 358 copies
Telling Tales (2004) — Contributor — 346 copies
The World's Greatest Short Stories (2006) — Contributor — 274 copies
Under African Skies: Modern African Stories (1997) — Contributor — 93 copies
Rotten English: A Literary Anthology (2007) — Contributor — 76 copies
The Anchor Book of Modern African Stories (2002) — Foreword — 52 copies
One World of Literature (1992) — Contributor — 24 copies
African Literature: an anthology of criticism and theory (2007) — Contributor — 23 copies
Currents in Fiction (1974) — Contributor — 20 copies
AQA Anthology (2002) — Author, some editions — 19 copies
Wonders: Writings and Drawings for the Child in Us All (1980) — Contributor — 18 copies
An African Quilt: 24 Modern African Stories (2012) — Contributor — 17 copies
Masters of British Literature, Volume B (2007) — Contributor — 17 copies
African Rhapsody: Short Stories of the Contemporary African Experience (1994) — Foreword, some editions — 16 copies

Tagged

1001 (106) 1001 books (110) 20th century (302) 20th century literature (66) Africa (1,905) African (426) African fiction (118) African literature (771) anthology (257) Chinua Achebe (155) classic (249) classics (259) colonialism (509) culture (77) English (69) essays (107) fiction (3,203) historical fiction (353) history (145) Igbo (116) literary fiction (68) literature (630) missionaries (86) Nigeria (1,121) Nigerian (208) Nigerian Literature (266) non-fiction (161) novel (585) own (101) owned (80) politics (97) postcolonial (143) postcolonialism (101) read (343) religion (101) short stories (406) to-read (1,192) unread (119) world literature (92) writing (64)

Common Knowledge

Legal name
Achebe, Albert Chinụalụmọgụ
Birthdate
1930-11-16
Date of death
2013-03-21
Burial location
Ogidi, Anambra State, Nigeria
Gender
male
Nationality
Nigeria
Birthplace
Ogidi, Anambra State, Nigeria Protectorate
Place of death
Boston, Massachusetts, USA
Places of residence
Ogidi, Nigeria
Nekede, Nigeria
Umuahia, Abia State, Nigeria
Oba, Nigeria
Lagos, Nigeria
Enugu, Nigeria (show all 12)
Aba, Biafra
Nsukku, Nigeria
Nneobi, Nigeria
Annandale, New York, USA
Massachusetts, USA
Providence, Rhode Island, USA
Education
University College, Ibadan, Nigeria
University of London
Occupations
broadcaster
professor
novelist
short-story writer
poet
school teacher
Relationships
Okigbo, Christopher (friend)
Organizations
Anambra State University of Technology
Bard College
Brown University
Nigerian Broadcasting Corporation
Awards and honors
Man Booker International Prize (2007)
Visiting professorship (University of Massachusetts-Amherst ∙ University of Connecticut ∙ UCLA)
Friedenspreis des Deutschen Buchhandels (2002)
American Academy and Institute of Arts and Letters. Honorary Fellowship.
Nigerian National Merit Award
Campion Award (1996) (show all 7)
Lotus Prize for Literature (1975)
Short biography
Chinua Achebe was born in Nigeria in 1930. He was raised in the large village of Ogidi, one of the first centers of Anglican missionary work in Eastern Nigeria, and was a graduate of University College, Ibadan.

His early career in radio ended abruptly in 1966, when he left his post as Director of External Broadcasting in Nigeria during the national upheaval that led to the Biafran War. He was appointed Senior Research Fellow at the University of Nigeria, Nsukka, and began lecturing widely abroad.

From 1972 to 1976, and again in 1987 to 1988, Mr. Achebe was Professor of English at the University of Massachusetts, Amherst, and also for one year at the University of Connecticut, Storrs.

Cited in the London Sunday Times as one of the "1,000 Makers of the Twentieth Century" for defining "a modern African literature that was truly African" and thereby making "a major contribution to world literature," Chinua Achebe published novels, short stories, essays and children's books. [adapted from Things Fall Apart, c1959, 1994 printing Anchor Books Ed.]

Mr. Achebe received numerous honors from around the world including more than twenty honorary doctorates from universities in England, Scotland, the United States, Canada, and Nigeria.

Latterly Mr. Achebe lived with his wife in Annandale, New York, where they both taught at Bard College. They had four children.

Members

Discussions

AFRICAN NOVEL CHALLENGE JULY 2023 - ACHEBE / OKRI in 75 Books Challenge for 2023 (August 2023)
Things Fall Apart Chapters 18-25/END in Geeks who love the Classics (February 2022)
Things Fall Apart Chapters 9-17 in Geeks who love the Classics (February 2022)
Things Fall Apart Chapters 1-8 in Geeks who love the Classics (January 2022)
Things Fall Apart Jan-March 2022 Housekeeping Items in Geeks who love the Classics (January 2022)
November 2020: Chinua Achebe in Monthly Author Reads (December 2020)

Reviews

This book may follow the story of Okonkwo, but the its purpose to show differences. Differences between the clans, family, and foreigners. Some differences are temporal while others contemporaneous. Some of the differences are to due changing circumstances, for which the main character tried to maintain more control than possible. The author does a wonderful job at expressing those differences and the variety of ways with dealing with change.

The region that is described had 9 different clans. While other clans had their high title deluded, as they were able to be purchased by anyone, Okonkwo’s clan kept the high title very sacred and exclusive. Okonkwo had earned one such title while he was always ashamed that his father had not. Okonkwo’s belief system expresses itself by doing everything opposite of what his father had done, such as being lazy. When Okonkwo sees the same defects in his children, the children get a harsh treatment.

The story presented many difficult situations, and showed the cultural aspects in creating the set decisions in dealing with the situation. The book’s cultural divisions and lessons arrive more steadily as the book progresses, leaving the biggest differences of culture to the end. Great book for helping to understand the struggle of cultural, and other, divides.
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Eugene_Kernes | 434 other reviews | Jun 4, 2024 |
While I was reading this book, I couldn't help but feel myself transferred back to my high school days... reading a book that I had little invested interest in but felt an obligation to finish. This book definitely has the feeling of the kind of book a school would choose to give their students a proper introduction to other cultures. (If you don't read about other cultures you won't be cultured enough for us to let you graduate!)

And this book is heavy with the feeling that it is trying to inform you about the wide world of peoples out there that have suffered in unimaginable ways. Now, I have no problem with a book that is written with that purpose, I have enjoyed many books like that, (Kaffir Boy, for instance). The problem I had with this book and its message, was that it portrayed it badly, in many ways.

The first thing that really bothered me was the main character, Okonkwo. If you're going to write a book where you're trying to emphasize the suffering a character is going through, you would think you'd write him as a character someone could empathize with. I'm sorry, but I can't empathize with a character who beats his wife and children, and blames it on father issues. Secondly, the book was quite honestly... boring. A sizable chunk of the novel is spent talking about yams, farming yams, and all the bad things that have happened to the yams and the yam farms. More detail is put into yams than character development. I understand Achebe must be trying to show a piece of the culture he grew up with... but it was honestly just boring. And I know its possible to make farming sound interesting in books... Achebe didn't do that.
But it wasn't just the farming in the book that was boring – quite frankly not a lot of interesting things happen in this book. There are a few intriguing scenes but they are so minor, and lacking in conclusion, that they aren't enough to make up for the scenes that are dull.

The last thing that I had a big problem with was the cookie-cutter stereotypes of the characters. It is a story about how white colonizers negatively affected an African tribe. This is not a type of story I have a problem with. What I did have a problem with was how the white and African characters pretty much followed a very predictable scenario – the Christian missionaries come in and try to preach to the tribespeople; The tribespeople respond by fighting, killing missionaries, and destroying churches. I find this ironic because I believe I read somewhere, that as a young man, Achebe was angry at stories of Africa depicting "savage Africans." (Such as Joseph Conrad's Heart of Darkness.) Is he making a stab at that literature through this book? Or maybe this really was a situation he encountered in his youth?? I'm sure a lot of clashes really did happen between white colonizers/missionaries and the tribespeople of Africa. But the way it was in this book was just so predictable I could almost tell you what would happen on the next page. And it surprised me that someone who seems to have experienced this kind of situation firsthand wrote it in such a seemingly generic, predictable manner.
And tying this in with the end, when Okonkwo kills himself because he sees the irreparable damage the Christians have done to his tribe's culture... I didn't even feel bad for him. Sorry your culture's ruined...... but you beat your wives/children constantly. So.... really... I'm not sorry.

This is a really hard book to give a bad review, too. It's easy to think that someone must be racist because of giving this book a bad review... but there are so many parts of this book that I personally think are dangerously on the edge of being racist, and work to prolong stereotypes. And to add on top of that problem – it has bad characters and is generally just boring. Perhaps, in the end, I am thinking about this book in too simple of terms, that I'm under-analyzing it. Maybe it's the sort of book where you have to look even deeper than you might think to try and get the "true message" out of it. Maybe. But then maybe there are a million other books out there that I could be better spending my time on.
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escapinginpaper | 434 other reviews | May 18, 2024 |
Such a powerful piece of writing. For those like me who are unfamiliar with Achebe's non-fiction writing, this is a wonderful insight into the man behind his beautiful stories.
And I found many wonderful references to explore further.
 
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zasmine | 2 other reviews | Apr 26, 2024 |
A haunting parable. The final chapter of this book still stings my western heart with every reading. Others have written eloquently on this work - and some reviews on here posit an alternative viewpoint on the apparently uppity and unreasonable, if not downright ungrateful aims of postcolonialist literature - so you can make up your own mind on that. But gosh I think this was an important novel 60 years ago, and it remains so. A challenge to its western readership, from the use of untranslated words to its matter-of-fact, quasi-Dickensian ironic descriptions of the local culture as seen through the protagonist, and sometimes his children - already questioning their own culture, as we all do.

A complex portrayal of colonialism that twists the knife very well indeed.
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therebelprince | 434 other reviews | Apr 21, 2024 |

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Awards

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Mafika Gwala Contributor
L.B. Honwana Contributor
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Dambudzo Marechera Contributor
Jomo Kenyatta Contributor
Ezekiel Mphahlele Contributor
Odun Balogun Contributor
Ama Ata Aidoo Contributor
Leonard Kibera Contributor
Kojo Laing Contributor
Ben Okri Contributor
Lindiwe Mabuza Contributor
Okey Chigbo Contributor
Assia Djebar Contributor
Tijan M. Sallah Contributor
M. G. Vassanji Contributor
Njabulo S. Ndebele Contributor
Jamal Mahjoub Contributor
Kyalo Mativo Contributor
Steve Chimombo Contributor
EB Dongala Contributor
Ba'bila Mutia Contributor
Mia Couto Contributor
Daniel Mandishona Contributor
Jan Dicker Translator
Edel Rodriguez Cover designer, Cover artist
Kwame Anthony Appiah Foreword, Introduction
Ian Serraillier Introduction
Biyi Bandele Introduction
Jaap Dicker Translator
Uche Okeke Illustrator
Bruce Onobrakpeya Illustrator
Peter Edwards Cover artist
Gudrun Honke Translator
Charles Keeping Cover artist
Robert Dorsman Translator
Maya Jaggi Introduction
John Dyke Cover artist
Karl Maier Introduction
Victor Ekpuk Cover artist
Don Hemerman Photographer
Mary Grandpre Illustrator
George Mogaka Illustrator
Shyam Varma Cover designer

Statistics

Works
52
Also by
19
Members
28,772
Popularity
#698
Rating
3.8
Reviews
581
ISBNs
412
Languages
27
Favorited
44

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