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Poor Butterfly

by Stuart M. Kaminsky

Other authors: See the other authors section.

Series: Toby Peters (15)

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83None326,620 (3.43)1
The year 1942 is a bad time to stage Madame Butterfly. Although Puccini's masterpiece is a perennial favorite of the San Francisco opera crowd, its sympathetic depiction of a Japanese girl causes tension in the dark months following Pearl Harbor. Newspaper editorialists rage against the production, opera buffs picket the theater, and a note appears nailed to the house door, threatening violence against the cast and crew. When the first workman dies, the maestro calls Toby Peters, a Los Angeles detective who works discreetly for Hollywood's rich and famous. Two days remain before the opening night, and the body count continues to rise. As he hunts for this self-styled phantom of the opera, Toby falls for one of the company starlets. They must tread lightly, or risk a death more dramatic than anything Puccini ever dreamed up.… (more)
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Author nameRoleType of authorWork?Status
Stuart M. Kaminskyprimary authorall editionscalculated
Crepax, LucianaTranslatorsecondary authorsome editionsconfirmed

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Epigraph
Music is by nature remote from the tangible and visible things of life. I am hoping to intensify its mystery and eloquence and beauty.
—Leopold Stokowski
Dedication
This is for Irene Bignardi, Giorgio Gosetti,
and Elisa Resegotti in Rome

with special thanks to
Sol Schoenbach, former First Bassoonist
with the Philadelphia Orchestra
for his insights on Maestro Stokowski
First words
The chandelier couldn't hold our weight much longer.
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(Click to show. Warning: May contain spoilers.)
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The year 1942 is a bad time to stage Madame Butterfly. Although Puccini's masterpiece is a perennial favorite of the San Francisco opera crowd, its sympathetic depiction of a Japanese girl causes tension in the dark months following Pearl Harbor. Newspaper editorialists rage against the production, opera buffs picket the theater, and a note appears nailed to the house door, threatening violence against the cast and crew. When the first workman dies, the maestro calls Toby Peters, a Los Angeles detective who works discreetly for Hollywood's rich and famous. Two days remain before the opening night, and the body count continues to rise. As he hunts for this self-styled phantom of the opera, Toby falls for one of the company starlets. They must tread lightly, or risk a death more dramatic than anything Puccini ever dreamed up.

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