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Loading... Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human (original 2011; edition 2011)by Grant Morrison
Work InformationSupergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human by Grant Morrison (2011)
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Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. Seriously, Chapter 18 blew my mind. Grant Morrison might be full of himself but fuck this book was awesome. I put this behind a spoiler because I feel a weird sense of guilt posting a short novel about how I feel about Grant Morrison for all my friends to see in their Goodreads feed. Grant Morrison is a guy I have a strange fascination with (I think he may be the author I've actually read the most work by on Goodreads) - I think he's probably one of the most creative, consistently interesting people working in comics, but his work can be wildly hit or miss for me. I was curious to read this as I had imagined it would sort of be a master key to all of his work and I would suddenly see the error of my ways in not liking, say, Wonder Woman Earth-One. It's not that - this varies between a history of the comics industry from 1939 to present (about 2011-2012) and Morrison's autobiography. The historical parts are entertaining even for someone well-versed with the different "ages" and have a unique take on some parts (Morrison's commentary on the origins of Batman and Captain Marvel/Shazam are particularly interesting). But God, my kingdom for someone who can write intelligibly about the comics industry post 9/11, because even this becomes more focused on recapitulating the plot points of the Marvel Cinematic Universe/the Nolan Batman films instead of actual interesting commentary on Image's transformation over the years or anything that happened with creator-owned titles after Vertigo. The autobiography is interesting, charming, and clarifies the entire "Grant Morrison is a wizard" meme in a very sensible way, although Morrison seems to have misidentified the end of his "jerk" phase judging by some of his commentary on meeting fans later on. :S Overall, I feel about this the way I feel about a lot of other Morrison work - it's entertaining and definitely made me think a lot, but there are more than a few bones that I have to pick. Grant Morrison loves comic books and superheroes, I have enjoyed his work over the years and if you like him or like comic books you will probably enjoy this book. Morrison calls this book "…a personal overview of the superhero concept from 1938 until the present day." and it is part history of the comic book and the comic book hero, part analysis of how comic books reflect society (or society reflects comics or the solar cycle?), part autobiography of Morrison, and part pseudo-scientific-magical-chemical philosophy of life, the universe, and everything of Grant Morrison. While Morrison can be a little out there his take on the evolution of the comic book history over time was passionate and interesting. This review was written for LibraryThing Early Reviewers. Supergods is partially a history of comic books and partially an autobiography of Grant Morrison. Most of the comic book history is well travelled territory, enlivened by Morrison's unique occultist, semi-celebrity perspective. Morrison is a master of praising a work while backhandedly insulting the creator in the same breath. Alan Moore, Mark Millar, and Brian Bendis all get some bruises in passages that are primarily praising their works. For me the most interesting sections shine light on Morrison's own creative process, giving insight into how his trippy Seven Soldiers of Victory series for DC grew out of the stifling editorial environment at Marvel he experienced while writing New X-Men, and how All Star Superman was a reaction against the negativity of hit series like Wanted and Identity Crisis.One of the highlights of the book is his account of the Katmandu incident. Morrison's experimentations with drugs and chaos magic led to an hallucinatory experience in Katmandu in which higher dimensional beings transported him into space and reveled cosmic secrets. Real or imagined, the experience shaped the creation of Invisibles and Flex Mentallo. Another highlight comes later in the book where he describes some of his most awkward encounters with eccentric fans. Morrison has deliberately created a writer public persona for himself as a sharp-dressed punk occultist and as a result he is probably the most self-consciously stylized and artificial creator in comics this side of his nemesis Alan Moore. Morrison is also one of the most endlessly inventive and talented writers in the field. Your enjoyment of this book will depend on how much you enjoy Morrison's prose style and intentional weirdness. Personally, I enjoy them both.
Like many visionaries before him, Morrison understood that he had to return from these heights—in his case to help “midwife” the infant earth-god. And so he came back, back into the meat-body. But back with a superpower. For a time at least, he could sense things, from a coffee cup to a coffee barista, in five dimensions: “I could see the shapes of things and of people as the flat plane surfaces of far more complex and elaborate processes occurring in a higher dimensional location.” AwardsNotable Lists
Morrison draws on history, art, mythology, and his own astonishing journeys through this alternate universe as a comic book writer to provide the first true chronicle of the superhero. No library descriptions found.
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LibraryThing Early Reviewers AlumGrant Morrison's book Supergods was available from LibraryThing Early Reviewers. Current DiscussionsNonePopular covers
Google Books — Loading... GenresMelvil Decimal System (DDC)741.5352The arts Graphic arts and decorative arts Drawing & drawings Cartoons, Caricatures, ComicsLC ClassificationRatingAverage:
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